Vivaldi - Musica sacra per alto - Delphine Galou, Accademia Bizantina, Ottavio Dantone - 2019 (FLAC, 24BIT – 96KHZ)

Vivaldi – Musica sacra per alto – Delphine Galou, Accademia Bizantina, Ottavio Dantone – 2019 (FLAC, 24BIT – 96KHZ)

Composer: Antonio Vivaldi
Performer: Delphine Galou – contralto
Orchestra: Accademia Bizantina
Conductor: Ottavio Dantone
Audio CD
Number of Discs: 1 CD
Format: FLAC (tracks)
Bit Depth: 24bit / 96kHz
Number of channels: 2.0
Label: Naive
Size: 483 MB
Recovery: +3%
Scan: yes (PDF)
Server: rapidgator

Delphine Galou – Vivaldi- Musica sacra per alto (2019)

Antonio Vivaldi (1678-1741)

01. Filiae maestae Jerusalem, RV 638: I. Filiae maestae Jerusalem (01:42)
02. Filiae maestae Jerusalem, RV 638: II. Sileant zephyri (06:02)
03. Filiae maestae Jerusalem, RV 638: III. Sed tenebris diffusis (00:57)
04. Hymnus Deus tuorum militum, RV 612 (03:56)
05. Violin Concerto in D Major, RV 582: I. Allegro (05:33)
06. Violin Concerto in D Major, RV 582: II. Largo (04:22)
07. Violin Concerto in D Major, RV 582: III. Allegro (07:31)
08. Salve Regina, RV 618: I. Salve Regina (03:48)
09. Salve Regina, RV 618: II. Ad te clamamus (01:37)
10. Salve Regina, RV 618: III. Ad te suspiramus (03:10)
11. Salve Regina, RV 618: IV. Eia ergo (01:33)
12. Salve Regina, RV 618: V. Et Jesum benedictum (01:47)
13. Salve Regina, RV 618: VI. O clemens, o pia (02:32)
14. Introduzione al Miserere non in pratis: I. Non in pratis aut in hortis (01:58)
15. Introduzione al Miserere non in pratis: II. Pro me caput spinas habet (08:16)
16. Introduzione al Miserere non in pratis: III. Quæsone facias, Domine (00:52)
17. Regina coeli, RV 615 (04:01)

Vivaldi, the Venetian, master of the whole palette of human emotions. From the church to the opera house, from tragedy to joy, the immediately-recognisable sensibility, the expressiveness, the inimitable colours and an unbeatable talent to say so much in just a few notes.

The contralto Delphine Galou (who recently won a Gramophone Award, one of the most prestigious awards in the classical music world) and Ottavio Dantone’s Accademia Bizantina have created two recitals of sacred music and of opera that illustrate the incomparable richness of Vivaldi’s body of work and establish the emotional connections between the two repertoires.

For the first time, two volumes of the Vivaldi Edition (in this case the 59th and 60th) will be released at the same time, with their synergy also reflected in the albums’ artwork.

The recital ‘Musica sacra’ consists of six works of very diverse themes and styles, symbolising the richness of the religious fervour of Antonio Vivaldi’s sacred music.

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