Vivaldi & Handel - Grace Davidson - Academy of Ancient Music, Joseph Crouch - 2018 (FLAC, 24BIT – 96KHZ)

Vivaldi & Handel – Grace Davidson – Academy of Ancient Music, Joseph Crouch – 2018 (FLAC, 24BIT – 96KHZ)

Composer: George Frideric Handel, Antonio Vivald
Performer: Grace Davidson – soprano, Bojan Čičić
Orchestra: Academy of Ancient Music
Conductor: Joseph Crouch
Audio CD
Number of Discs: 1 CD
Format: FLAC (tracks)
Bit Depth: 24bit / 96kHz
Number of channels: 2.0
Label: Signum Classics
Size: 1.22 GB
Recovery: +3%
Scan: yes (PDF)
Server: rapidgator


George Frideric Handel (1685-1759)

Silete venti, HWV 242

01. Sinfonia e recitativo
02. Andante ma larghetto
03. Accompagnato
04. Andante – Allegro
05. Presto

George Frideric Handel

Gloria, HWV deest

06. Gloria in excelsis Deo
07. Et in terra pax
08. Laudamus te, benedicimus te
09. Domine Deus, rex coelestis
10. Qui tollis peccata mundi
11. Quoniam tu solus sanctus

George Frideric Handel

Salve Regina, HWV 241

12. Salve, regina, mater misericordiae
13. Ad te clamamus exsules filii Evae
14. Eia, ergo, advocate nostra
15. O Clemens, O pie

Antonio Vivaldi (1678-1741)

Nulla in mundo pax sincera, RV630

16. Nulla in mundo pax sincera
17. Blando colore oculos mundus decepit
18. Spirat anguis
19. Alleluia

Signum Records are proud to present the debut orchestral recording from Grace Davidson, one of the UK’s leading British sopranos specialising in Baroque music. She is joined by some of Europe’s leading Baroque musicians from the Academy of Ancient Music to perform a selection of works by Handel and Vivaldi, with performaces led by violinist Bojan Čičić under artistic director Joseph Crouch.Grace won the Early Music Prize while studying singing at London’s Royal Academy of Music. Since then, she has worked with the leading Baroque ensembles of our day, singing under the batons of Sir John Eliot Gardiner, Paul McCreesh, Philippe Herreweghe and Harry Christophers. Her discography includes a decade of CDs with The Sixteen, many of which feature her as soloist – Handel’s Jeptha (as Angel), Dixit Dominus, Monteverdi’s Vespers of 1610, Pianto della Madonna, and the Lutheran Masses of Bach.

The Times

The voice is radiantly fresh and clean, and she successfully navigates almost all the technical perils in her programme of sacred motets by Handel and Vivaldi, spiritedly backed by another of Britain’s Academies, the Academy of Ancient Music.



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