Composer: Melchior Schildt
Performer: Vincent van Laar – organ
Number of Discs: 1 CD
Format: FLAC (tracks)
Bit Depth: 24bit / 96kHz
Number of channels: 2.0
Label: Aliud Records
Size: 1010.4 MB
Scan: yes (booklet PDF)
Vincent van Laar / Melchior Schildt – Complete organ works (2020)
Melchior Schildt (1502 – 1667)
01. Praeambulum in G 00:56
02. Hertzlich Lieb hab ich dich, O mein Herr 03:52
03. Allein Gott in der Höh sei Ehr 01:51
04. Paduana Lagrima 05:54
Herr Christ, der einig Gottes Sohn
05. Variation I 02:31
06. Variation II 02:07
07. Variation III 02:24
08. Variation IV 01:59
90. Variation V 02:08
Magnificat Primi Modi
10. Versus I 02:13
11. Versus II 09:16
12. Versus III 04:40
13. Versus IV 01:51
14. Versus V 01:38
15. Magnificat Primi Modi 03:34
16. Praeambulum in G  01:42
Vincent van Laar performs frequently in the Netherlands and abroad as an organist, harpsichordist and continuo player. Besides his greatest passion, the music of J.S. Bach, he has a predilection for the music of J.P. Sweelinck and the North German repertoire of the 17th and 18th centuries. As a continuo player and soloist he is a member of Concerto d’Amsterdam and The Northern Consort; as a guest he plays frequently with Musica Amphion.
This album features 24 chorale preludes for the organ (BWV 645-668). Without exception, they stand in the tradition of the chorale-based music of Bach‘s predecessors. They therefore include pieces with the unornamented chorale tune in the pedal (BWV 651 and 661), others with the melody ornamented (BWV 653, 654, 659 and 662), chorale trios (BWV 655 and 664), and works employing traditional contrapuntal techniques like canon, fugue and imitation (BWV 652 and 665).
In the oeuvre of Johann Sebastian Bach (1685-1750), the chorale – the Lutheran congregational hymn – plays a central role. This is hardly surprising, since for the greater part of his life Bach was a church musician, composing music suitable for liturgical use. At the same time he was very familiar with the chorale from his youth, for it was standard material in the music tuition of his age. Moreover, as a student Bach became acquainted with the music of his predecessors, the North German organists Reincken, Böhm and Buxtehude and the South German Pachelbel, for whom the chorale was a musical point of reference. Without the chorale, Bach‘s oeuvre would have been inconceivable.
Vincent van Laar has a lage discography including: – the complete organ works of Melchior Schildt on the Schnitger organ in Norden; – the 24 Capricetten by Jacob Wilhelm Lustig on the harpsichord and the Hinsz organ in Appingedam; – cantatas by J.S. Bach with obbligato organ, with the countertenor Maarten Engeltjes and Concerto d’Amsterdam; – the complete organ works of Johann Adam Reincken and Nicolaus Bruhns on the organ of the Martinikerk in Groningen. Vincent van Laar also recorded organ works by Sweelinck, which was awarded an Edison.
Vincent van Laar
studied organ and harpsichord at the conservatories of Utrecht and The Hague with Nico van den Hooven, Harald Vogel, Glen Wilson and Bob van Asperen.
He gained solo diplomas for organ and harpsichord in 1984 and 1988 respectively, and won prizes at organ competitions in Zeerijp (1981), Toulouse (1983) and Alkmaar (1991).
Vincent’s greatest interest and musical passion is for the performance of Baroque solo and continuo music, in particular the works of J.S.Bach and the seventeenth-century North-European school.
Vincent has an international career as a soloist and continuo player, and has played on many recordings for radio and CD, including the complete works of Sweelincks’ pupil Melchior Schildt and Bach cantatas with organo obligato. He also participated in the complete recording of Sweelinck’s keyboard music. The latter was awarded the Netherlands most illustrious prize, the Edison. Recently he recorded the 24 Capricetten by Jacob Wilhelm Lustig.
Along side his solo career,Vincent van Laar is a member of Concerto d’Amsterdam and The Northern Consort. He also regularly plays as a guest with Musica Amphion.