Rossini - Sigismondo - Hera Hyesang Park, Marianna Pizzolato, Rachel Kelly, Kenneth Tarver, Gavan Ring, Guido Loconsolo, Munchner Rundfunkorchester, Keri-Lynn Wilson - 2019 (FLAC, 24BIT – 48KHZ)

Rossini – Sigismondo – Hera Hyesang Park, Marianna Pizzolato, Rachel Kelly, Kenneth Tarver, Gavan Ring, Guido Loconsolo, Munchner Rundfunkorchester, Keri-Lynn Wilson – 2019 (FLAC, 24BIT – 48KHZ)

Composer: Gioacchino Antonio Rossini
Performer: Olga Watts – fortepiano
Orchestra: Münchner Rundfunkorchester
Conductor: Keri-Lynn Wilson
Audio CD
Number of Discs: 1 CD
Format: FLAC (tracks)
Bit Depth: 24bit / 48kHz
Number of channels: 2.0
Label: BR-Klassik
Size: 1.55 GB
Recovery: +3%
Scan: yes (PDF)
Server: rapidgator

Gioachino Rossini – Sigismondo

Gioacchino Antonio Rossini (1792-1868)

Act I

01 Sinfonia 07:44
02 O prence misero 08:12
03 Né fia, german, che rieda 01:10
04 Non seguirmi… Omai t’invola 07:26
05 Signor, mentre t’adora – O dubbi miei! 01:55
06 O tranquillo soggiorno! – Oggetto amabile 08:06
07 Signora… Ah taci 00:50
08 Di caccia il suono – Al bosco! Alla caccia! 03:12
09 Lo sposo!… Il re!… 01:36
10 Che avvenne? 05:20
11 Giusto cielo m’aita! 00:29
12 Se un tradimento reo… – Un segreto è il mio tormento 06:51
13 Il re dov’è? 01:58
14 Tu l’opra tua seconda 04:00
15 Io dispor che costei 01:05
16 Perché obbedir disdegni? 07:08
17 Quale, o ciel, d’idee funeste 14:05

Act II

18 In segreto a che ci chiama? 02:15
19 Ah! Superato il bosco, o sorte avversa! 00:44
20 Viva Aldimira 01:47
21 Come attento Radoski 01:35
22 Come! – Tomba di morte e orrore 11:43
23 M’ingannaste, occhi miei? 01:23
24 Sognava contenti 04:04
25 Misero me! – Giusto ciel che i mali miei 06:50
26 Non tradirmi! 00:28
27 Alla partenza 07:34
28 Io rivedrò Aldimira? 01:19
29 Ecco, ecco, l’indegno! 00:24
30 Genitor… Deh vien! 09:15
31 Alma rea 10:11
32 E tu che per salvarlo 01:50
33 Qual felice amico giorno 03:44

Hera Hyesang Park, soprano (Aldimira)
Marianna Pizzolato
, mezzosoprano (Sigismondo)
Rachel Kelly
, mezzosoprano (Anagilda)
Kenneth Tarver
, tenor (Ladislao)
Gavan Ring
, baritone (Radoski)
Guido Loconsolo
, bass-baritone (Zenovito)
Il Hong
, bass (Ulderico)
Chor des Bayerischen Rundfunks
Yuval Weinberg
, chorus master

The Italian composer Gioachino Rossini is best known for his operas. Many of their overtures and arias were catchy tunes at the time and have remained so to this day. Although it is Rossini’s comic operas that are primarily performed today, more than half of his stage works are in fact based on serious themes. One veritable rarity is the stage work “Sigismondo”, which premiered in 1814 at the famous Teatro La Fenice in Venice but was only ever rarely performed afterwards. Presumably, the story on which it was based had no appeal for the audience at that time, because musically, the work is hardly less impressive than the “Italian Girl in Algiers”, written during the previous year, or the “Barber of Seville”, which followed two years later. The subject of the opera is, however, based on a long tradition. Rossini shows his protagonist, the fictional King Sigismondo, in extreme states of mental distress. Confusion and insanity reveal inner feelings, and it is only delirium that finally brings the truth to light. This “madness opera” is highly topical, both in its subject matter and its musical language – after all, Rossini is among the top ten most-performed composers of our time. A concert performance of this little-known and unjustly neglected masterpiece was given at Munich’s Prinzregententheater on October 14, 2018 – in the original language, and by performers highly familiar with Rossini’s music, which seems so easy but is in fact extremely difficult to sing. This extraordinary opera event – a festival of singing that received tumultuous applause as well as great critical acclaim – is now being released on BR-KLASSIK as a live recording.

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