Ravel - Concerto en sol, Le Tombeau de Couperin & Alborada del gracioso - Javier Perianes, Orchestre de Paris, Josep Pons - 2019 (FLAC, 24BIT – 48KHZ)

Ravel – Concerto en sol, Le Tombeau de Couperin & Alborada del gracioso – Javier Perianes, Orchestre de Paris, Josep Pons – 2019 (FLAC, 24BIT – 48KHZ)

Composer: Maurice Ravel
Performer: Javier Perianes – piano (2-10, 15)
Orchestra: Orchestre de Paris
Conductor: Josep Pons (1, 8-14)
Audio CD
Number of Discs: 1 CD
Format: FLAC (tracks)
Bit Depth: 24bit / 48kHz
Number of channels: 2.0
Label: Harmonia Mundi
Size: 689.6 MB
Recovery: +3%
Scan: yes (PDF)
Server: rapidgator

Ravel – Concerto en sol, Le Tombeau de Couperin & Alborada del gracioso (2019)

Maurice Ravel (1875-1937)

Miroirs, M. 43

01. IV. Alborada del gracioso (orchestra version) (7:52)

Le Tombeau de Couperin, M. 68

02. I. Prélude. Vif (Piano version) (3:21)
03. II. Fugue. Allegro moderato (Piano version) (3:35)
04. III. Forlane. Allegretto (Piano version) (6:07)
05. IV. Rigaudon. Assez vif (Piano version) (3:14)
06. V. Menuet. Allegro moderato (Piano version) (5:11)
07. VI. Toccata. Vif (Piano version) (4:27)

Piano Concerto in G Major, M. 83

08. I. Allegramente (9:05)
09. II. Adagio assai (9:01)
10. III. Presto (4:14)

Le Tombeau de Couperin, M. 68a

11. I. Prélude. Vif (Orchestral Suite) (3:21)
12. II. Forlane. Allegretto (Orchestral Suite) (6:24)
13. III. Menuet. Allegro moderato (Orchestral Suite) (4:44)
14. VI. Rigaudon. Assez vif (Orchestral Suite) (3:18)

Miroirs, M. 43

15. IV. Alborada del gracioso (Piano version) (7:09)

As if in a mirror, this recording juxtaposes the original piano versions of two of Ravel’s masterpieces (Le Tombeau de Couperin and Alborada del gracioso) with their respective orchestrations. The Concerto in G major combines the two facets, both when the piano is integrated into the overall sound and when it plays its role as a soloist. The subtle playing of Javier Perianes and the refined sonorities of the Orchestre de Paris, conducted by Josep Pons, also remind us that Spain was the most significant source of inspiration in Ravel’s output.

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