Porpora, Mancini, Pergolesi, Fiorenza, Scarlatti - Neapolitan Concertos for Various Instruments - La Ritirata, Josetxu Obregon - 2018 (FLAC, 24BIT – 88KHZ)

Porpora, Mancini, Pergolesi, Fiorenza, Scarlatti – Neapolitan Concertos for Various Instruments – La Ritirata, Josetxu Obregon – 2018 (FLAC, 24BIT – 88KHZ)

Composer: Nicola Porpora, Francesco Mancini, Giovanni Battista Pergolesi, Nicola Fiorenza, Alessandro Scarlatti
Performer: Tamar Lalo – recorder, Hiro Kurosaki, Pablo Prieto, Daniel Pinteño – violins, Daniel Lorenzo – viola, Josetxu Obregón, Paz Alonso – cellos, Ismael Campanero – violone, Daniel Oyarzabal, Ignacio Prego – harpsichords, Daniel Zapico – theorbo
Orchestra: La ritirata
Audio CD
Number of Discs: 1 CD
Format: FLAC (tracks)
Bit Depth: 24bit / 88,2kHz
Number of channels: 2.0
Label: Glossa
Size: 1.3 GB
Recovery: +3%
Scan: yes (PDF)
Server: rapidgator

Porpora · Mancini · Pergolesi · Fiorenza · Scarlatti – Neapolitan Concertos for Various Instruments

Nicola Porpora (1686 – 1768)

Sinfonia in C major for violoncello, violins and basso continuo

01. Amoroso
02. Allegro
03. Largo
04. Allegro

Francesco Mancini (1672 – 1737)

Concerto in G minor for recorder, 2 violins, violoncello and basso continuo

05. Largo
06. Fuga
07. Largo
08. Spiritoso

Giovanni Battista Pergolesi (1710 – 1736)

Concerto for 2 harpsichords and strings

09. Allegro non assai
10. Adagio tardissimo
11. Allegro

Nicola Fiorenza (c. 1700 – 1764)

Concerto in D major for cello, 2 violins and basso continuo

12. Largo
13. Allegro
14. Largo
15. Allegro

Alessandro Scarlatti (1660 – 1725)

Concerto in C major for recorder, 2 violins, violoncello and basso continuo

16. Adagio
17. Fuga
18. Adagio
19. Allegro

Nicola Fiorenza (c. 1700 – 1764)

Concerto in D major for violin and strings

20. In tempo giusto
21. Largo e staccato di molto
22. Allegro andante alla polaccha

The Neapolitan Baroque, especially in the first half of the eighteenth century, was a vibrant and vital time for instrumental music, as Josetxu Obregón and La Ritirata now demonstrate with their new recording of six concertos from that era. The Neapolitan school – which owed so much in its formation to Francesco Provenzale – flourished in the hands of Francesco Mancini, Nicola Porpora, Nicola Fiorenza, Giovanni Battista Pergolesi and Alessandro Scarlatti, all represented with concertos on this new Glossa recording.

The four major conservatories in the city created an astonishingly productive and innovative environment for musicians – students and their teachers alike. The composers here all studied or worked in the conservatories or at the Cappella Real. The Neapolitan concerto had its own structure at this time, which was quite different to that found in the Venice of Vivaldi, and there was a constant competitive spirit for soloists to demonstrate their virtuosity. As they showed with their earlier Glossa recording of Il Spiritillo Brando, the members of La Ritirata are more than a match for their Neapolitan predecessors in both stylishness and technique. The soloists gathered by Josetxu Obregón represent some of the leading musical lights in Spain today: violinist Hiro Kurosaki (in a Fiorenza concerto), recorder-player Tamar Lalo (Scarlatti and Mancini), harpsichordists Ignacio Prego and Daniel Oyarzabal (Pergolesi) and not least, Obregón himself who is the cello soloist in works by Fiorenza and Porpora.

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