Osipov State Russian Folk Orchestra – Balalaika Favorites - 1963-2005 (SACD-R, ISO)

Osipov State Russian Folk Orchestra – Balalaika Favorites – 1963-2005 (SACD-R, ISO)

Composer: Rimsky-Korsakov, Tchaikovsky
Orchestra: Osipov State Russian Folk Orchestra
Conductor: Vitaly Gnutov
Audio CD
Number of Discs: 1 SACD-R
Format: ISO
Bit Depth: 64(2.8 MHz/1 Bit)
Number of channels: 5.0, 2.0
Label: Mercury
Size: 2.34 GB
Recovery: +3%
Scan: yes
Server: rapidgator

Osipov State Russian Folk Orchestra – Balalaika Favorites

01. Fantasy On Two Folk Songs (Budashkin) 07:07
02. At Sunrise (Arr. Gorodovskaya) 04:26
03. The Linden Tree (Kulikov) 04:20
04. Kamarinskaya (Osipov) 02:44
05. Fantasy On Volga Melodies (Mikhailov-Shalayev) 04:47
06. In The Moonlight (Andreyev) 03:06
07. Midnight In Moscow (Soloviev-Sedoy) 02:31
08. Under The Apple Tree (Andreyev) 02:13
09. Dance Of The Comedians (Tchaikovsky) 04:32
10. The Living Room (Shishakov) 01:27
11. Evening Bells (Arr. Mossolov) 04:18
12. My Dear Old Friend, Please Visit Me (Arr. Poponov) 02:26
13. Waltz Of The Faun (Andreyev) 04:21
14. Flight Of The Bumble-Bee (Rimsky-Korsakov) 01:16

Balalaika Favorite is an album performed by domra soloist Rudolf Belov and the Osipov State Russian Folk Orchestra, conducted by Vitaly Gnutov. It was the first ever Russian performance produced by American musical and technical staff and equipment, and was released by Mercury in 1963.

All Music Review

For what it is, it doesn’t get any better than this. What it is, of course, is a collection of Russian folk music played with astonishing artistry by the Ossipov State Russian Folk Orchestra, an ensemble made up of dormas, gooslis, Vladimir Shepherd’s Horns, and, naturally, balalaikas, balalaikas, balalaikas. The sound of such an orchestra is far different from any other Western ensemble — imagine an orchestra of guitars, mandolins, pan pipes, and harps — but still deep, colorful, and subtle. The sound of the music is likewise far different from any other Western music — imagine folks songs long on melody and rhythm and short on harmony and form — but still charming, delightful, and, in its own way, unutterably appealing. Certainly, this disc charmed audiences when it was first released in the early ’60s on Mercury Living Presence: the LP was a classical best seller. Part of the appeal might have been its incredibly realistic sound: recorded on 35 mm film on three channels, the LP quickly became a favorite of stereophiles everywhere. Restored in super-audio, three-channel digital, the disc sounds more realistic than ever, with the lead balalaika sitting in a chair to the listener’s right and the lead goosli sitting in a chair on his/her left. While not for everyone, anyone who loves the exotic, the unusual, and the extraordinarily well-recorded will appreciate this disc.




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