Niklas Liepe - The New Paganini Project - Deutsche Radio Philharmonie Saarbrücken Kaiserslautern, Gregor Bühl - 2018 (FLAC, 24BIT – 48KHZ)

Niklas Liepe – The New Paganini Project – Deutsche Radio Philharmonie Saarbrücken Kaiserslautern, Gregor Bühl – 2018 (FLAC, 24BIT – 48KHZ)

Composer: Niccolo Paganini, Fazil Say
Performer: Niklas Liepe – violin, Michael Gärtner – vibraphone, Jochen Ille – drums, Thomas Schreiber – contrabass, Nils Liepe – piano
Orchestra: Deutsche Radio Philharmonie Saarbrücken Kaiserslautern
Conductor: Gregor Bühl
Audio CD
Number of Discs: 1 CD
Format: FLAC (tracks)
Bit Depth: 24bit / 48kHz
Number of channels: 2.0
Label: Sony Classical
Size: 1.04 GB
Recovery: +3%
Scan: yes (PDF)
Server: rapidgator

NIKLAS LIEPE – THE NEW PAGANINI PROJECT

NICCOLO PAGANINI (1782–1840)

24 Caprices for violin solo op. 1 [1802–1817]
with newly composed orchestral accompaniment

01. No. 1 in E Major 02:03
02. No. 2 in B Minor 05:28
03. No. 3 in E Minor 04:22
04. No. 4 in C Minor, “Transformation concertante” 07:20
05. No. 5 in A Minor 03:20
06. No. 6 in G Minor, “Trance” 05:12
07. No. 7 in A Minor 03:57
08. No. 8 in E-Flat Major 03:57
09. No. 9 in E Major, “La chasse” 03:24
10. No. 10 in G Minor, “Danse macabre” 04:23
11. No. 11 in C Major 04:09
12. No. 12 in A-Flat Major 03:21
13. No. 13 in B-Flat Major 02:35
14. No. 14 in E-Flat Major 02:01
15. No. 15 in E Minor 03:46
16. No. 16 in G Minor 04:10
17. No. 17 in E-Flat Major 03:32
18. No. 18 in C Major 04:08
19. No. 19 in E-Flat Major 04:58
20. No. 20 in D Major 02:59
21. No. 21 in A Major 02:44
22. No. 22 in F Major 02:08
23. No. 23 in E-Flat Major 03:33
24. No. 24 in A Minor 08:46

Bonus: Fazil Say (1970 – )

25. Paganini-Jazz for Piano (Arr. for Jazz Quartet) 08:10

The Idea: The 24 Caprices by Niccolò Paganini can be re-experienced in a totally new sound image. Partly, there are arrangements of the caprices for violin and piano by already deceased composers such as Robert Schumann and Fritz Kreisler. Prof. N. Tarkmann, who already arranged music for Jonas Kaufmann and Anna Netrebko, will arrange these versions for the new instrumentation violin and orchestra. Additionally, contemporary composers such ans Fazil Say and Andrea Csollány created completely new arrangements for the solo caprices.
The special challenge for the composers is to ensure that the orchestra is not only a petty sound carpet but to create a new, edgy and top-class compendium on the basis of Paganini’s caprices. The famous original artistically-compositionally charges the new works and accords the orchestra a technically, compositionally and artistically demanding task. Meanwhile, the virtousity of the violin must not be impaired.
The “Caprices are much more than just ‘technical studies’, each of them is a little jewel for every violinist to date”, says the young violinist. He made it his business too give these jewels a new cutting.

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