Mahler - Symphony # 6 - Budapest Festival Orchestra, Ivan Fischer - 2005 (FLAC, 24BIT – 192KHZ)

Mahler – Symphony # 6 – Budapest Festival Orchestra, Ivan Fischer – 2005 (FLAC, 24BIT – 192KHZ)

Composer: Gustav Mahler
Orchestra: Budapest Festival Orchestra
Conductor: Ivan Fischer
Audio CD
Number of Discs: 1 CD
Format: FLAC (tracks)
Bit Depth: 24bit / 192kHz
Number of channels: 2.0
Label: Channel Classics
Size: 2.28 GB
Recovery: +3%
Scan: yes
Server: rapidgator

Mahler – Symphony No. 6

Gustav Mahler (1860-1911)

Symphony No. 6 in A minor (“Tragic”)

01. Allegro energico, ma non troppo
02. Andante moderato
03. Scherzo: Wuchtig
04. Finale; Allegro moderato

Disc reviews David Hurwitz (CLASSICSTODAY)

Fischer’s performance of the Sixth is quite similar to Abbado’s recent live recording for DG. Textures are generally light and transparent, with a swift opening march that, by the same token, never sounds unduly rushed or trivialized. The andante comes second, not the best option in my view, but Fischer has the intelligence to treat it as a true andante, and not as an adagio (which is a more legitimate possibility when it’s placed third). However, in contrast to Abbado’s boring Berliners, Fischer’s orchestra plays better, and he’s much better recorded. Just listen to the characterful brass in the coda of the first movement, with a particularly fine first trumpet, or the splendid woodwinds in the trios of the scherzo. The emphasis on fleetness never compromises expressivity, as happens in Berlin.

Fischer also has a keen ear for Mahler’s special effects: the cowbells tinkle evocatively, and the offstage chimes are perfectly balanced at the start of the finale, even if the passage isn’t the unforgettable dream of terror that Bernstein makes of it. Best of all, the finale is terrific, as it must be in any performance of this work. It has the necessary weight, with imposing brass playing and aptly dark, heavy, but potent hammer blows. Fischer also times each return to the movement’s introduction especially well, knitting together the movement’s various episodes with unerring skill. The entire recapitulation and coda are masterfully paced, with excellent contributions from all sections.

The performance that this one resembles most in its unaffected musicality is Kubelik’s, though both in stereo or 5.0 multichannel sound the engineering here is incomparably finer. In sum, this is a rendition surprisingly easy on the ear, but one that achieves this quality without making too many expressive compromises along the way. It also fits neatly onto a single disc. You should certainly own a performance of this symphony a bit darker and more frightening (Bernstein’s or Gielen’s will do), but for a legitimate alternative viewpoint you will find it difficult to do better than this.


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