Lully, Muffat & Marais - The Versailles Revolution - Indianapolis Baroque Orchestra, Barthold Kuijken - 2018 (FLAC, 24BIT – 44KHZ)

Lully, Muffat & Marais – The Versailles Revolution – Indianapolis Baroque Orchestra, Barthold Kuijken – 2018 (FLAC, 24BIT – 44KHZ)

Composer: Jean-Baptiste Lully, Georg Muffat & Marin Marais
Orchestra: Indianapolis Baroque Orchestra
Conductor: Barthold Kuijken
Audio CD
Number of Discs: 1 CD
Format: FLAC (tracks)
Bit Depth: 24bit / 44,1kHz
Number of channels: 2.0
Label: Naxos
Size: 646.1 MB
Recovery: +3%
Scan: yes
Server: rapidgator

Indianapolis Baroque Orchestra, Barthold Kuijken / Lully, Muffat & Marais – The Versailles Revolution

Lully: Roland, LWV 6 Suite 21:06

01. Ouverture 5:01
02. Gigue 1:13
03. Gavotte – Air – Gavotte (Da capo) 2:37
04. 2nd Air 2:44
05. Marche 0:54
06. Menuets I & II (Da capo) 1:38
07. Chaconne 6:59

Muffat, Georg: Florilegium secundum: Fasciculus I – Nobilis Juventus 13:01

08. I. Ouverture 3:37
09. II. Entrée d’Espagnols 1:20
10. III. Air pour des Hollandois 1:49
11. IV. Gigue pour des Anglois 2:00
12. V. Gavotte pour des Italiens 1:39
13. VI. Menuets I & II pour des François (Da capo) 2:36

Marais, M: Ariane et Bacchus, suite 27:59

14. Ouverture 4:30
15. Premier air pour la suite de la nymphe 2:05
16. Bourrée pour les mesmes – Air – Bourrée (Da capo) 2:41
17. Gigue 1:17
18. Air 1:26
19. Rondeau pour les plaisirs 1:12
20. Marche pour la suite de Bacchus 1:12
21. Simphonie du sommeil 2:01
22. Air pour les songes 1:49
23. Air pour les flûtes 1:55
24. Entracte 1:16
25. Chaconne 6:35

Recorded: 11-14 October 2014
Recording Venue: Ruth Lilly Performance Hall, Christel DeHaan Fine Arts Center, University of Indianapolis, USA

The Italian-born violinist and dancer Jean-Baptiste Lully revolutionised music at the French court in the 17th century. Not only did he transform ballet entertainments into a spectacular new genre, the tragédie lyrique, but he set new standards in orchestral playing – with him the ‘modern’ orchestra was born. The Suite from Roland exemplifies the majesty of his ouvertures, the beauty of his dance movements and the expressive depth of his chaconnes. Both Georg Muffat and Marin Marais were profoundly influenced by Lully, as their inventive suites show, and Muffat’s own preserved performance instructions have been closely followed on this recording.

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