Haydn 2032, Vol. 2 - Il Filosofo, Haydn - Symphonies # 22, 46, 47, Wilhelm Friedemann Bach - Symphony in F major - Il Giardino Armonico, Giovanni Antonini - 2015 (FLAC, 24BIT – 96KHZ)

Haydn 2032, Vol. 2 – Il Filosofo, Haydn – Symphonies # 22, 46, 47, Wilhelm Friedemann Bach – Symphony in F major – Il Giardino Armonico, Giovanni Antonini – 2015 (FLAC, 24BIT – 96KHZ)

Composer: Franz Joseph Haydn, Wilhelm Friedemann Bach 
Orchestra: Il Giardino Armonico, Haydn 2032
Conductor: Giovanni Antonini
Audio CD
Number of Discs: 1 CD
Format: FLAC (tracks)
Bit Depth: 24bit / 96kHz
Number of channels: 2.0
Label: Alpha Productions
Size: 1.27 GB
Recovery: +3%
Scan: yes (Sleeve, Digital Booklet)
Server: rapidgator

Haydn 2032, Vol. 2: Il Filosofo
Il Giardino Armonico · Giovanni Antonini

Franz Joseph Haydn (1732-1809)

Symphony No. 46 in B Major, Hob. I:46

01. I. Vivace (7:34)
02. II. Poco adagio (7:28)
03. III. Menuet (Allegretto) – Trio (2:06)
04. IV. Finale (Presto e scherzando) (5:58)

Symphony No. 22 in E-Flat Major, Hob. I:22 “Der Philosoph”

05. I. Adagio (7:19)
06. II. Presto (4:06)
07. III. Menuetto & Trio (2:23)
08. IV. Finale (Presto) (2:55)

Wilhelm Friedemann Bach (1710-1784)

Symphony in F Major, BR C 2 / Fk. 67

09. I. Vivace (4:16)
10. II. Andante (3:52)
11. III. Allegro (3:15)
12. IV. Menuetto I – Menuetto II (2:13)

Franz Joseph Haydn

Symphony No. 47 in G Major, Hob. I:47

13. I. [Allegro] (7:51)
14. II. Un poco adagio, cantabile (6:35)
15. III. Menuet & Trio (2:00)
16. IV. Finale (Presto assai) (5:27)

Recorded: Teldex Studio Berlin, 16-20 June 2014

For this second volume in the Haydn 2032 project, the complete recording of his symphonies, Giovanni Antonini has chosen to put forward the Symphony Der Philosoph. He associates with it a symphony by Wilhelm Friedemann Bach, eldest son of the Kantor of Leipzig, who is generally considered the most gifted of his sons. Different reasons brought these two great composers the originality and sometimes eccentricity that characterize their works, one suffering from the fame of his father, the other from his own genius. Whereas Haydn’s symphonies differentiate themselves by form, orchestration and keys, W. F. Bach’s begins in the style of a Baroque overture, gradually turning into a tempestuous piece and perhaps already reflecting the transition from a ‘Golden Age’ to the more tormented world that will follow the Age of Enlightenment.

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