Bruch - Double Concertos, Adagio appassionato, Loreley Overture - ORF Vienna Radio Symphony Orchestra, Howard Griffiths - 2019 (FLAC, 24BIT – 48KHZ)

Bruch – Double Concertos, Adagio appassionato, Loreley Overture – ORF Vienna Radio Symphony Orchestra, Howard Griffiths – 2019 (FLAC, 24BIT – 48KHZ)

Composer: Max Bruch
Performer: Kyoungmin Park – viola, Berfin Aksu – violin, Ecesu Sertesen – clarinet, Julia Kociuban – piano, Oliver Schnyder – piano
Orchestra: ORF Vienna Radio Symphony Orchestra
Conductor: Howard Griffiths
Audio CD
Number of Discs: 1 CD
Format: FLAC (tracks)
Bit Depth: 24bit / 48kHz
Number of channels: 2.0
Label: Sony Classical
Size: 637.9 MB
Recovery: +3%
Scan: yes (PDF)
Server: rapidgator

MAX BRUCH – Double Concertos · Adagio appassionato · Loreley Overture (2019)

Max Bruch (1838-1920)

Concerto for 2 Pianos and Orchestra, Op. 88a

01. I. Andante sostenuto
02. II. Andante con moto – Allegro molto vivace
03. III. Adagio ma non troppo
04. IV. Andante – Allegro

Die Loreley, Op. 16

05. Overture

06. Adagio appassionato, Op. 57

Concerto for Clarinet, Viola and Orchestra in E Minor, Op. 88

07. I. Andante con moto
08. II. Allegro moderato
09. III. Allegro molto

ORF Vienna Radio Symphony Orchestra

Founded in 1997, the orchestra‘s academy aims to offer talented young musicians the chance to work with the Vienna RSO; by taking part in daily rehearsals as well as in concerts, they are encouraged to expand their contemporary repertoire. This ensures that young orchestral musicians learn not only traditional playing techniques, but are also confronted with unusual, experimental techniques. In addition, they can benefit from the regular encounters with world-famous composers and conductors that result from the orchestra‘s specialisation in contemporary music.

Furthermore, contact with Festivals such as „Wien Modern”, „musikprotokoll” and many others, opens up a world of professional prospects for young orchestral performers.

A total of 10 string positions are provided. Selected musicians will receive six-month contracts after auditions; in some cases, the total contract-period can be extended to three years. By these means the orchestra contributes substantially to ensuring there is a plentiful reservoire of upcoming young orchestral musicians

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