Blandine Staskiewicz, Thibault Noally & Les Accents - Oratorio - Caldara, Bononcini, Scarlatti, Porpora, Gasparini - 2018 (FLAC, 24BIT – 96KHZ)

Blandine Staskiewicz, Thibault Noally & Les Accents – Oratorio – Caldara, Bononcini, Scarlatti, Porpora, Gasparini – 2018 (FLAC, 24BIT – 96KHZ)

Composer: Antonio Caldara, Giovanni Bononcini, Francesco Gasparini, Nicola Antonio Porpora, Alessandro Scarlatti
Performer: Blandine Staskiewicz – mezzo-soprano
Orchestra: Les Accents
Conductor: Thibault Noally
Audio CD
Number of Discs: 1 CD
Format: FLAC (tracks)
Bit Depth: 24bit / 96kHz
Number of channels: 2.0
Label: Aparté
Size: 1.21 GB
Recovery: +3%
Scan: yes (PDF)
Server: rapidgator

Blandine Staskiewicz
ORATORIO

Antonio Caldara

01. La Castità al Cimento: «Numi offesi di furor»*
02. Maddalena à piedi di Cristo: «Per il mar del pianto mio»

Giovanni Bononcini

03. La Converzione di Maddalena: «Cor imbelle à due nemici»

Francesco Gasparini

04. Atalia: «Ombre, cure, sospetti»
05. Atalia: «Terrori d’Averno»

Nicola Antonio Porpora

06. Il Trionfo della Divina Giustizia: «Vanne o Sol d’eterna luce»*

Alessandro Scarlatti

07. San Casimiro rè di Polonia: «Miei spirti guerrieri»

Giovanni Bononcini

08. La Converzione di Maddalena: «Al sibilar tremendo»*
09. La Converzione di Maddalena: «In tepidi fiumi»*

Nicola Antonio Porpora

10. Il Trionfo della Divina Giustizia: «Ecco già l’orrenda tromba»*

Alessandro Scarlatti

11. Giuditta: «Del pianto vostro»
12. Giuditta: «Posso e voglio»

Antonio Caldara

13. Santa Francesca Romana: «Miro che il fiumicello»*

Nicola Antonio Porpora

14. Il Martirio di San Giovanni: «Vanne nel vicin tempio»*
15. Il Martirio di San Giovanni: «Fremer da lunge io sento»*

Alessandro Scarlatti

16. Il Gardino di Rose: «Mentre io godo»

Antonio Caldara

17. Il Martirio di Santa Caterina: «Son gli strazi… Io spiro e volo»*

Thibault Noally – violon et direction
Thibault Noally, Alexandrine Caravassilis, Mario Konaka, Christophe Robert – violon 1
Claire Sottovia, Charlotte Grattard, Maximilienne Caravassilis, Alexandra Delcroix-Vulcan – violon 2
Samuel Hengebaert, Marie-Aude Guyon, Maria Mosconi – alto
Nicolas Crnjanski, Anne-Garance Fabre dit Garrus – violoncelle
Clotilde Guyon – contrebasse
Brice Sailly – clavecin
Yoann Moulin – orgue
Pierre Rinderknecht – théorbe
David Douçot – basson
Emmanuel Laporte – hautbois
Serge Tizac – trompette

Since its foundation in 2014, Thibault Noally’s ensemble Les Accents brings to life rare works from the Italian Baroque era: in particular the vocal repertoire of the 17th and 18th centuries. Their new record features unpublished extracts of oratorios. Born at the same time and made of the same theatrical stuff as his opera brother, the oratorio, a lyric and dramatic work without staging, also moves the crowds! And its heroines Athalie and Judith have the same temper as their operatic counterparts. The virtuoso arias of Caldara, Scarlatti (father) or Porpora performed by the mezzo-soprano Blandine Staskiewicz, full of baroque ornaments and jubilant flights, also testify to the instrumental ardor of the genre: the dramatic effects of the orchestra, the alternation of allegros and adagios, and the various of playing modes marry the movements of the passions of these characters with great intensity.

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