Beethoven - Symphony # 1 & Piano Concerto # 1 - Martha Argerich, Mito Chamber Orchestra, Seiji Ozawa - 2018 (FLAC, 24BIT – 96KHZ)

Beethoven – Symphony # 1 & Piano Concerto # 1 – Martha Argerich, Mito Chamber Orchestra, Seiji Ozawa – 2018 (FLAC, 24BIT – 96KHZ)

Composer: Ludwig van Beethoven
Performer: Martha Argerich – piano
Orchestra: Mito Chamber Orchestra
Conductor: Seiji Ozawa
Audio CD
Number of Discs: 1 CD
Format: FLAC (tracks)
Bit Depth: 24bit / 96kHz
Number of channels: 2.0
Label: Decca
Size: 1.01 GB
Recovery: +3%
Scan: yes (PDF)
Server: rapidgator

Martha Argerich, Mito Chamber Orchestra, Seiji Ozawa /

Beethoven – Symphony No. 1 & Piano Concerto No. 1 (2018)

Ludwig van Beethoven (1770-1827)

Symphony No. 1 in C major, Op. 21 27:12

01. 1. Adagio molto – Allegro con brio 9:48
02. 2. Andante cantabile con moto 7:47
03. 3. Menuetto (Allegro molto e vivace) 3:36
04. 4. Finale (Adagio – Allegro molto e vivace) 6:01

Piano Concerto No. 1 in C major, Op. 15 33:25

05. 1. Allegro con brio 13:56
06. 2. Largo 10:32
07. 3. Rondo (Allegro scherzando) 8:57

Recording Venue: 2017 – Art Tower Mito, Mito City, Ibaraki

Two Legends together on record for the first time; first new release from Seiji Ozawa since his Grammy win for Best Opera in 2016.

BBC Music Magazine

[In The Symphony] Ozawa’s musicians sounds as if they hugely enjoy playing this score, discovering it afresh…But it’s the First Piano Concerto…that offers the real reason to hear this recording. From the piano, Martha Argerich spurs all the playing onto a different level. She and Ozawa spark off each other, and energy bubbles in the orchestra. As so often with her performances, her phrasing and articulation constantly surprise and illuminate.

Gramophone Magazine

Seiji Ozawa is 82 and Martha Argerich is 76, yet they go at Beethoven’s First Piano Concerto like a pair of teenagers. All of Argerich’s playful, exploratory tics are there…and Ozawa’s (judging from the booklet picture) tiny hand-picked Mito Chamber Orchestra are with her all the way…Argerich remains indefatigable and, on this evidence, Ozawa may be entering a glorious Indian summer of creativity.

Rapidgator.net

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