Bach, Bartok, Castelnuovo-Tedesco, Stravinsky, Vitali, Vladigerov - Chaconnes, Divertimento & Rhapsodies - Joo Yeon Sir & Irina Andrievsky - 2019 (FLAC, 24BIT – 96KHZ)

Bach, Bartok, Castelnuovo-Tedesco, Stravinsky, Vitali, Vladigerov – Chaconnes, Divertimento & Rhapsodies – Joo Yeon Sir & Irina Andrievsky – 2019 (FLAC, 24BIT – 96KHZ)

Composer: Johann Sebastian Bach, Béla Bartók, Mario Castelnuovo-Tedesco, Igor Feodorovich Stravinsky, Tomaso Antonio Vitali, Pantcho Vladigerov
Performer: Joo Yeon Sir – violin, Irina Andrievsky – piano
Audio CD
Number of Discs: 1 CD
Format: FLAC (tracks)
Bit Depth: 24bit / 96kHz
Number of channels: 2.0
Label: Rubicon
Size: 1.32 GB
Recovery: +3%
Scan: yes (PDF)
Server: rapidgator

Joo Yeon Sir & Irina Andrievsky / Bach, Bartok, Castelnuovo-Tedesco, Stravinsky/Стравинский, Vitali, Vladigerov – Chaconnes, Divertimento & Rhapsodies

01. Bach, J S: Partita for solo violin No. 2 in D minor, BWV1004: Chaconne 15:15
02. Vitali, T: Chaconne in G minor 11:04

Stravinsky: Divertimento from Suite from The Fairy’s Kiss 20:26

03. I. Sinfonia (Arr. for Violin & Piano) 6:43
04. II. Danses Suisses (Arr. for Violin & Piano) 4:20
05. III. Scherzo (Arr. for Violin & Piano) 2:58
06. IV. Pas de Deux (Arr. for Violin & Piano) 3:16
07. IV. Variation (Arr. for Violin & Piano) 1:04
08. IV. Coda (Arr. for Violin & Piano) 2:05

09. Bartók: Rhapsody No. 1 for violin & piano, BB 94 9:35
10. Vladigerov: Bulgarian Rhapsody for violin & piano “Vardar” 8:15
11. Castelnuovo-Tedesco: Concert-Rhapsodie Figaro on Rossini’s “Il barbiere di Siviglia”: Largo al factotum 6:18

Joo Yeon Sir’s debut album Suites & Fantasies (RCD1003) received simply fantastic reviews when released in 2017. ‘A dazzling debut. This young player melds technical assurance with rare artistic sensibility in this showcase album’ said The Observer . ‘Joo Yeon Sir is impressive’ BBC Music Magazine.

‘Joo Yeon Sir is truly a class act’ Classical Ear.

Chaconnes, Divertimento & Rhapsodies is inspired by the close working relationships between composers and virtuoso violinists from the eighteenth century to the twentieth; and each piece also owes a debt to earlier music, whether folk melodies, Baroque variations, or the works of nineteenth-century composers.

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